Showing posts with label Disgraceland. Show all posts
Showing posts with label Disgraceland. Show all posts

Wednesday, July 1, 2015

RED DEVIL

Saluting my country on July 4th, early 1980's


 In 1979, if you were an unskilled, unemployed pyromaniac, you were always assured of employment at one of the many Red Devil Fireworks stands that sprung up around LA County in the weeks before Independence Day. The only job qualifications necessary were a moron’s grasp of arithmetic and being crazy- or desperate- enough to work twelve hour shifts at the height of summer in a screened-in, corrugated aluminum shack surrounded by roughly three tons of explosives.

 I didn’t have to fill out a job application. At the beginning of every summer, my roommates and I threw wild all-night punk rock parties that went on non-stop for days on end. When one of the drunken revelers asked me how I could possibly manage to do this and still hold down a job, I explained that I was unemployed. Back then it was tough to get work if you had pink hair. This guy said he could help me out, scrawling an address on the side of a Coor’s carton. I reported to the location the next morning, bleary eyed and hung over, along with five other guests who’d spent the night and were in the same condition.

We were hired on the spot.

The firework stand was located on a vacant lot at  the intersection of Venice Boulevard and Robertson in Culver City. Though we were a motley crew with our unevenly cropped and dyed hair, Blondie and Clash T-shirts, stiletto heels and motorcycle boots, our co-workers all appeared to be fresh from the  LA county correctional facilities. There was a cholo who showed up every day-no matter how hot it was- in corduroy house slippers and a plaid wool Pendleton buttoned all the way up. He had his girlfriend’s initials in gold pierced into his ears, an 18th street tattoo on his neck, a jailhouse tear in the corner of his left eye, and a crude cross with C/S for “Con Safos” inked into the web of skin between his thumb and index finger. There was a trailer trash woman of indeterminate age who was never without bubblegum pink rollers in her hair. She must’ve weighed an easy two hundred and seventy-five pounds, and complained constantly in a whiny South Carolina accent about how her feet hurt. And then there was Roger, a genial senior citizen who did nothing but guzzle beer all day in the corner while he pulled apart dozens of Piccolo Petes and Sonic Screamers. He’d add new fuses and with the precision of a skilled surgeon, join all the smaller fireworks together to make bootleg Roman Candles. He turned out to be the boss of the operation.

The six of  us- underage punks, artists and alcoholics -fit in perfectly. We soon learned the difference between Ground Bloom Flowers and a Cave Of Pearls, Serpent Charmers or Witch’s Cauldron fountains, Smoke Pots and Magic Rainbow Snakes. It took me under two days to get on a beer-sharing basis with Roger, and soon there was an industrial sized cooler full of booze on ice, available to anyone who wanted to imbibe. We knew from the many posted signs that it was illegal to smoke within three hundred feet of the stand, so cigarette breaks became a frequent group affair, and we took them even more often once we discovered that Julio, the 18th Street guy, was never without killer buds.

 One of the girls I brought in made long, lovelorn calls on the stand’s payphone to her rock star boyfriend in England, charging them on a hot credit card. She shared the number with me and I got in on the action too, also calling the UK to talk to my English Teddy Boy flame plus the famous  British punk star I was having a simultaneous affair with. I shared the  bogus credit card with Julio, who  gave the number to a homie who was incarcerated. Since nobody else but us ever used the payphone, after a half pint of Jack Daniels, Roger just looked the other way.

The day I decided to show up for work in a skimpy halter top, Roger singled me out as a protégée, carefully teaching me his secret to crafting Bottle Rockets. Occasionally a sleek, ominous- looking black sedan would pull up to the side of the stand. A swarthy man in a crisp white shirt and Rayban Wayfarers would step out of the car, open the trunk, and all the employees and most of the customers would cluster around, waving money.

Naively, I asked Roger what was going on.

 “Oh,” he said, taking a long swig of his beer and wiping his mouth on his sleeve,

“He goes down to Mexico and gets real fireworks…none of this candy ass shit we sell!”

 You could buy a quarter stick of dynamite from the guy for thirty cents. Next time the sedan showed up, I was there, cash in hand.

We’d come home every night drunk out of our minds, exhausted, blackened from head to toe in gunpowder, flash powder, sawdust and shredded strips of Asian newspaper, our under-the-table pay  stuffed into our pockets in big gangster rolls. By the end of the first week, I knew that while Chinese fireworks had the most amazing colors, American fireworks were much louder.  I also learned that a Boilermaker was bourbon and beer mixed together, how many strategically placed M80’s it took to blow up a two-story house, and whom the 18th Street gang was going to hit next.  I discovered that a Cherry Bomb wasn’t just a Runaways song, but a highly potent illegal explosive that had been banned in the USA under the 1966 Child Safety Act. My bootleg Bottle Rockets were starting to look pretty damn professional, too.

One of the guys I’d brought in found out how to fudge the inventory and was bringing home a case each of Ground Bloom Flowers and Sparklers every day. He told Roger he was moving and needed the boxes. I’d sit bored at the cash register, my hands coated with a  thick, scaly, shiny mixture of dried Elmer’s Glue mixed with Bonne Bell lip gloss in grotesque  peeling layers. When an innocent customer would ask if the fireworks were safe, I’d reply, “Safe And Sane!” before pushing the change through the cashiers grate with my mangled looking paw, delighting at the look of shock and horror registering on their faces.

Inside the stand, my friends and I would bend down over stacks of Family Pack Displays and whistle a series of  descending notes long and low through our teeth, watching  the rest of the staff frantically scramble on top of one another trying to get through the lone exit before the place blew sky high. As Independence Day approached, we pulled a string of all nighters, blasting The Sex Pistols and The Ramones, which almost- but not quite- drowned out the Southern woman’s bitching about her aching feet.

 The Fourth of July was an anticlimax.

 We spent it on the beach in Santa Monica, but now, being insiders, we just couldn’t really get into the city-sanctioned display…we wanted volume, we wanted fire power, we wanted Total Destruction. Besides, Roger had passed out inside the stand, and we were all  a little too chicken to blow up all the  gigantic illegal Roman Candles and Bottle Rockets he’d so lovingly prepared.  Instead, we dropped a trail of lit up stolen Ground Bloom Flowers out the back window of our battered Honda, all the way from the beach to Hollywood. We stayed up all night drinking at my place Disgraceland, lighting fireworks in the bathtub and on our porch, throwing them out the windows at random to startle the  late night revelers passing by.

The next morning, we returned to the firework stand, but like Brigadoon, it had vanished. The site had been returned to its original state: an abandoned lot. It was completely desolate and sad, with nothing left but a few shreds of red, white and blue bunting blowing in the wind, empty beer bottles and a couple of dud Lady Fingers scattered among the weeds in the sandy dirt.

Later that week, I received a final check for overtime and a handwritten note asking if I’d like to work at a Christmas tree lot in December.

 I declined.

#

The story you’ve just read is from my forthcoming book, Good Girls Go To Heaven, Bad Girls Go Everywhere, slated for publication on Punk Hostage Press in  2016.

 Purchase a signed copy of my latest book, Showgirl Confidential: My Life Onstage, Backstage And On The Road
Here:


 
Saluting my country...more recently





Tuesday, December 23, 2014

A PUNK ROCK CHRISTMAS MIRACLE

Christmas at Disgraceland: L to R: Limey dave of Tupelo Chainsex, Iris Berry, Booby "From Memphis" McClellan  photo courtesy of Iris Berry

Some of my favorite Christmas memories aren’t traditional… by any stretch of the imagination. 

 From the 1978 to 1988, I lived at Disgraceland, my  punk rock crash pad located just behind Frederick’s Of Hollywood. Disgraceland was one quarter of a 1920's era stucco four-plex at 1553 Cassil Place, a quiet side street which, until we moved in, was occupied mostly by large  multi- generational Mexican families and the senior citizens who lived in nearby studio apartments ever since not making it as film stars during the last days of Hollywood’s Golden Age.

Disgraceland was home to an ever-revolving cast of room mates including The Go-Go’s Belinda Carlisle, Kid Congo of the Gun Club and The Cramps, Tex And The Horseheads’ guitarist Mike Martt, writer and Lame Flame Iris Berry and her underground artist boyfriend  “Mad” Marc Rude, Ward Dotson of The Gun Club, my Screaming Sirens band-mate Laura Bennett, my husband Levi, of Levi And The Rockats, and Joey Altruda and Limey Dave from the band Tupelo Chainsex.

 The list of Disgraceland “regulars”- people who crashed there constantly and often stayed for days or weeks at a time included   rock ‘n’roll legend Screamin’ Jay Hawkins, Angelo and Norwood of Fishbone, Duff McKagan of Guns ‘N’Roses,  Charlie  Sexton, Texacala Jones, members of Poison 13, The Hickoids, The Hangmen, Junkyard, DRI, The Joneses, TSOL and many more. Disgraceland was also a pit stop for the skateboarding elite, entertaining and often housing champs Tony Alva, Steve Olson,  “Alabamy” Jay, an under-age Christian Hosoi and his father Ivan, Chuck Treece, Thrasher editor MoFo and Skatemaster Tate.

 Because of the nightly-and always uproariously loud –parties plus  the subsequent debauchery that routinely spilled into the yard and onto the sidewalk, Disgraceland had a very well deserved bad reputation with our neighbors, and even within the Hollywood rock scene.  For every stranded, drunken musician that stumbled onto our porch in the middle of the night looking for a party, there were at least three scenesters who avoided the place entirely, mainly cause they were scared of us!

Nevertheless, we Disgracelanders still had  the Christmas spirit…it’s just that we couldn’t really afford any holiday gifts or decorations, because any cash we had was going straight to bottles of Jack Daniels, packs of cigarettes and cases of beer.  We remedied the Christmas decoration thing easily; during the Holiday Season, Iris and I would have burley guys hoist us up on their shoulders so we could rip the tinsel and decorations off the ceiling of the bars and nightclubs we were visiting. On one of the many times I got 86’d from Raji’s, the infamous punk club I booked, manager Dobbs threw me out because I’d torn down all the tinsel from the showroom’s ceiling.

 In an unforeseen change of events, two days later, Dobbs called me into the office to thank me, explaining that the Fire Marshall had just visited Raji’s, and because there was no Mylar garland on the ceiling, he’d dodged a $500.00 fire violation!  Because of my drunken, sparkly Holiday vandalism, I enjoyed free drinks well into the New Year.

 One year, we decorated by salvaging a massive, discarded Christmas tree from the alley behind Club Lingerie  in the wee hours of Christmas Eve. It took three of us, grunting and pulling and dragging the tree on foot around the corner to Disgraceland, but by golly, we got it up and proudly stood it in a corner of our living room, between two Marshall amps. Unfortunately, the entire  stolen  cache  of Christmas garland   was  already in use ( most of it hung from the pull-tabs on my cowboy boots)  and we had nothing to trim the tree with. 

 Suddenly, inspiration struck, and we decided on a traditional red and white theme…piling on everything we had in those colors. Our tree was hung with red patent leather  1950's spike heeled pumps, Marlboro flip-top boxes, Budweiser cartons, red and white brassieres, panties and fishnets, and Elementary School style paper snowflakes we cut from band flyers and attached with guitar strings. We topped the tree with a Santa Hat someone had found on Sunset Boulevard during The Hollywood Christmas Parade. That tree looked so good, we left it up until the next April!

On another fabled Christmas Eve, there were about thirty people at Disgraceland celebrating by taking the magic mushrooms that The Hickoids’ guitarist Juke Box had so thoughtfully provided; everyone in the house was tripping their brains out.  Our latest obsession was the underground psychedelic sensation  The Legendary Stardust Cowboy, an “outsider” artist who routinely ranked  extremely high up on “ The Worst Records Ever  Recorded” lists, who’d once appeared on Rowan And Martin’s Laugh-In as a novelty act.

Members of the seminal Psychobilly group The Meteors had turned Levi onto The Legendary Stardust Cowboy, whose name, it was rumored, stood for LSD: Legendary Star Dust…get it? We had his 1969 cult hit “Paralyzed” on the record player set with the arm across, so it would play over and over.  The screaming, ranting, unintelligible vocals, pounding drums, hellish feedback and random bugle calls of “Paralyzed” served as   the perfect backdrop for the chaos that ensued.

Someone had brought over a package of those kid’s coloring books, the kind where the pictures turned colors when they were painted with water. As soon as the drugs took hold, Iris and I decided that it would be a fun idea   to see if liquids other than water worked on the coloring books as well, so at our decree, everyone   started finger painting painting the pages with beer and vodka.  Naturally, it piqued our curiosity to see what other substances would do- so Iris and I sent some of the boys off to the bedrooms and  bathroom with the coloring books, plus  issues of Playboy and Hustler to inspire their "creative out-put". The masterpieces they created privately bore an uncanny resemblance to Jackson Pollack’s greatest work!

  I was in the hallway standing outside the bathroom, coaching a guest along in his  auto erotic “artistic endeavor” by talking dirty through the door, when Jukebox came up to me with a dazed look on his face, telling me that The Legendary Stardust Cowboy was at the door.  At first, I didn’t believe him- what the hell would this aging, beyond-the-fringe ten gallon hat wearing lunatic from Lubbock, Texas be doing at my house on Christmas Eve...especially while his 45 had been  playing continuously for over two hours? It was simply too ridiculous to believe, but Jukebox was so earnest that finally, I took him seriously.

 I walked into the living room, and  sure enough, there was  The Cowboy standing at the threshold to our front door, ten-gallon hat in hand.  He addressed me by name, politely asking if he could come in, seemingly oblivious to the fact that his record was blasting on my battered $99.00 Sears Roebuck stereo.  

 He looked like he really could be The Legendary Stardust Cowboy, but even though I could barely construct a simple sentence, I grilled him nonetheless… I didn’t want some random crazy old man ruining our mushroom-fueled painting party!  It turned out that he’d read about Disgraceland in a rock’n’roll magazine, and finding himself alone  in Hollywood on a quiet Christmas Eve, he’d made it his business to find our house, figuring we’d be, as he termed it, “rockin’ all night”. Apparently, he was staying at a motel, and had walked all the way to Hollywood in search of us.  He gave us all promotional post cards, and seemed very excited that we knew who he was.  Soon, Jukebox had a couple of guitars plugged in and was jamming along with The Cowboy and everyone else, screaming out “Paralyzed”, The Seed’s “Pushing Too Hard” and various Christmas carols. This went on for quite a long time, until it started getting light outside.

 Sadly, The Legendary Stardust Cowboy never made us a painting that evening, but he did autograph my copy of  “Paralyzed”.

 
Totally naughty! Me in the 1980's with a smoking Christmas elf  photo: Joey Altruda

#

 The story you've just read is an excerpt from my  forthcoming book "Good Girls Go To Heaven, Bad Girls Go Everywhere" out in 2015 on Punk Hostage Press

 Listen to “Paralyzed” by The Legendary Stardust Cowboy here:



  Purchase a signed copy of my  memoir  “Showgirl Confidential: My Life Onstage, Backstage And On The Road” here:


  





 Find me on online:
  

Monday, June 30, 2014

RED DEVIL



 In 1979, if you were an unskilled, unemployed pyromaniac you were always assured of work at one of the many Red Devil Fireworks stands that sprung up around LA County in the weeks before Independence Day. The only job qualifications necessary were a moron’s grasp of arithmetic ,and being crazy or desperate enough to work twelve-hour shifts at the height of summer in a screened-in, corrugated aluminum shack surrounded by roughly three tons of explosives.

 I didn’t have to fill out a job application. At the beginning of every summer, my roommates and I threw wild all-night punk rock parties that went on non-stop for days on end. When one of the drunken revelers asked me how I could possibly manage  do this and still hold down a job, I explained that I was unemployed. Back then it was tough to get work if you had pink hair. He said he could help me out, scrawling an address on the side of a Coor’s carton. I reported there the next morning, bleary eyed and hung over, along with five other guests who’d spent the night and were in the same condition. We were hired on the spot.

The firework stand was located on  a vacant lot at  the intersection of Venice Boulevard and Robertson in Culver City. Though we were a motley crew with our unevenly cropped and dyed hair, Blondie and Clash T-shirts, stiletto heels and motorcycle boots, our co-workers all appeared to be fresh from the county correctional facilities. There was a cholo who showed up every day-no matter how hot it was- in corduroy house slippers and a plaid wool Pendleton buttoned all the way up. He had his girlfriend’s initials in gold  pierced into his ears, an 18th street tattoo on his neck, a jailhouse tear in the corner of his left eye, and a crude cross with C/S for “Con Safos” inked into the web of skin between his thumb and index finger. There was a trailer trash woman of indeterminate age who was never without bubblegum pink rollers in her hair. She must’ve weighed an easy two hundred and seventy-five pounds, and complained constantly in a whiny South Carolina accent about how her feet hurt. And then there was Roger, a genial septegenarian who did nothing but guzzle beer all day in the corner while he pulled apart dozens of Piccolo Petes and Sonic Screamers, added new fuses, and with the precision of a skilled surgeon, joined them all together to make bootleg Roman Candles. He turned out to be the boss of the operation.

The six of underage punks, artists, alcoholics fit in perfectly. We soon learned the difference between Ground Bloom Flowers and a Cave Of Pearls, Serpent Charmers or Witches Cauldron fountains, Smoke Pots and Magic Rainbow Snakes. It took me under two days to get on a beer-sharing basis with Roger, and soon there was an industrial sized cooler full of booze on ice, available to anyone who wanted some. We knew from the many posted signs that it was illegal to smoke within three hundred feet of the stand, so cigarette breaks became a frequent group affair, and we took them even more often once we discovered that Julio, the 18th Street guy, was never without killer buds.

 One of the girls I brought in made long, lovelorn calls on the stand’s payphone to her rock star boyfriend in England, charging them on a hot credit card. She shared the number with me and I got in on the action too, also calling the UK to talk to my English Teddy Boy flame plus  the famous punk star I was having a simultaneous affair with.  I shared the  bogus credit card with Julio, who  started calling a homie who was incarcerated. Since nobody else but us ever used the payphone, after a half pint of Jack Daniels, Roger just looked the other way.

The day I decided to show up for work in a skimpy halter top, Roger singled me out as a protégée, carefully teaching me his secret to make Bottle Rockets. Occasionally, a sleek, ominous looking black sedan would pull up to the side of the stand. A swarthy man in a crisp white shirt and Rayban Wayfarers would step out of the car, open the trunk, and all the employees and most of the customers would cluster around, waving money.

Naively, I asked Roger what was going on.

 “Oh,” he said, taking a long swig of his beer and wiping his mouth on his sleeve,

“He goes down to Mexico and gets real fireworks…none of this candy ass shit we sell!”

 You could buy a quarter stick of dynamite from the guy for thirty cents. Next time the sedan showed up, I was there, cash in hand.

We’d come home every night drunk out of our minds, exhausted, blackened from head to toe in gunpowder, flash powder, sawdust and shredded  strips of Asian newspaper, our under-the-table pay  stuffed into our pockets in big gangster rolls. By the end of the first week, I knew that while Chinese fireworks had the most amazing colors, American fireworks were much louder.  I also learned that a Boilermaker was bourbon and beer mixed together, how many strategically placed M80’s it took to blow up a two-story house, and whom the 18th Street gang was going to hit next.  I discovered that a Cherry Bomb wasn’t just a Runaways song, but a highly potent illegal explosive that had been banned in the USA under the 1966 Child Safety Act. My bootleg Bottle Rockets were starting to look pretty damn professional, too.

One of the guys I’d brought in found out how to fudge the inventory and was bringing home a case each of Ground Bloom Flowers and Sparklers every day. He told Roger he was moving and needed the boxes. I’d sit  bored at the cash register, my hands coated with a  thick, scaly, shiny mixture of dried Elmer’s Glue mixed with Bonne Bell lip gloss in grotesque  peeling layers. When an innocent customer would ask if the fireworks were safe, I’d reply, “Safe And Sane!” before pushing the change through the cashiers grate with my mangled looking paw, delighting at the look of shock and horror registering on their faces. Inside the stand, my friends and I would bend down over stacks of Family Pack Displays and whistle descending notes long and low through our teeth, watching  the rest of the staff frantically scramble on top of one another trying to get through the lone exit before the place blew sky high. As Independence Day approached, we pulled a string of all nighters, blasting The Sex Pistols and The Ramones, which almost- but not quite- drowned out the Southern woman’s bitching about her aching feet.

 The Fourth of July was an anticlimax.

 We spent it on the beach in Santa Monica, but now, being insiders, we just couldn’t really get into the  city-sanctioned display…we wanted volume, we wanted fire power, we wanted Total Destruction. Besides, Roger had passed out inside the stand, and we were all  a little too chicken to blow up all the  gigantic illegal Roman Candles and Bottle Rockets he’d so lovingly prepared.  Instead, we dropped a trail of lit up stolen Ground Bloom Flowers out the back window of our battered Honda, all the way from the beach to Hollywood. We stayed up all night drinking at my place Disgraceland, lighting fireworks in the bathtub and on our porch, throwing them out the windows at random to startle the  late night revelers passing by.

The next morning, we returned to the firework stand, but like Brigadoon, it had vanished. The site had been returned to its original state: an abandoned lot. It was completely desolate and sad, with nothing left but a few shreds of red, white and blue bunting blowing in the wind, empty beer bottles and a couple of dud Lady Fingers scattered among the weeds in the sandy dirt.

Later that week, I received a final check  for overtime and a handwritten note asking if I’d like to work at a Christmas tree lot in December.

 I declined.


#

The story you’ve just read is from my forthcoming book, Good Girls Go To Heaven, Bad Girls Go Everywhere, slated for publication on Punk Hostage Press in January, 2015.

 You can purchase a  signed copy of my latest book, Showgirl Confidential: My Life Onstage, Backstage And On The Road
Here:



 
Photo by Maharet Cristina Hughes, GraphicVibeLA





 Find me on online: