Showing posts with label Screaming Sirens. Show all posts
Showing posts with label Screaming Sirens. Show all posts

Tuesday, January 7, 2014

SENORITA SIN






The Screamin' Sirens


Since the age of four, all I ever wanted to be was the Flamenco dance on the inside of the Muriel Cigar box. She was beautiful: long auburn 1940s hair, a tight black corset, yards and yards of tulle and black lace mantillas. The moment I was old enough to defy my mother, the Flamenco dancer kicked her way out of me in flying skirts, fishnet stockings and gypsy hoop earrings. I even died my hair a brassy shade of red, which the hookers in my old New York neighborhood referred to as “Puerto Rican Blonde”. Everyone spoke Spanish to me – even the lady at the DMV handed me the Spanish test without asking. But the only thing I knew how to say was “si”, so I got into a lot of close calls in Spanish Harlem, which was where I
was living at the time. Men hovering around the produce stands would kiss the air as I walked by and make comments so sly-sounding I didn’t have to speak Spanish to know what they meant.

After moving to Los Angeles in the mid-1970’s, I discovered the legendary El Coyote. The restaurant was a Hollywood  landmark  that had opened in 1931, and  over the years  had hosted  famous diners such as John Wayne, Princess Grace Of Monaco,  Loretta Young, and Ricardo Montalban. I discovered El Coyote while reading about the Tate-La Bianca  murders…apparently  Sharon Tate and Jay Sebring  had their last meal there!  I decided I had to try it, and walked into  an amazing den of lurid black velvet paintings flanked by brightly colored crepe paper flowers, seashell-trimmed mirrors, and chandeliers encrusted with  glass grapes…it looked like a Tijuana brothel in the late 1950’s, and I was hooked! 

Fiesta!
The aging hostess and all the waitresses wore  flowers in their hair and voluminous   ballet folklorico  dresses, their layers of petticoats swishing  as they delivered trays of the strongest margaritas in town  to eagerly patrons. The  running joke was that after a double margarita, you’d never notice that the tostadas  were covered with canned string beans and rancid Thousand Island dressing; after two of them, you’d never notice that your prince was a frog!  El Coyote was  full of broke  artists, has-been B-Movie stars, elderly couples, and punks.  My friends and I immediately became regulars, joking that the “secret ingredient” in the margaritas must’ve been Qualuudes- they were that strong.

In full Sirens drag,wearing my Adelita t-shirt
When  I started  my all-girl  punkabilly band The Screamin’ Sirens, our every day look was  saloon girl corsets with  leather and denim biker jackets ,  studded belts  worn over over gay, rick-rack trimmed square dancing skirts or voluminous Mexican skirts, all topped off with a  thrift store kid’s cowboy hat ....or a sombrero. The effect was punky  huera  version of La Adelita, the symbol of the Mexican Revolution. We were so into the La Adelita image, we even called our first album, released in 1984, "Fiesta!".

 At El Coyote, any time I got up  to go staggering to the Ladies Room after my second or third  margarita,  patrons would wave me over, yelling their drink orders to me.  I was always mistaken for being  a cocktail waitress.
 Finally, this became  my own personal last straw, and I decided at that point to – what the hell? – celebrate  the whole California Girl thing and go blonde. My hairdresser sympathized with me as I told her about the perils of being a cigar-box Flamenco dancer incarnate. Three excruciating bleaches later, I was an all-American, Malibu Barbie  platinum blonde.

“There!” I cried triumphantly, 
“No more El Coyote waitress or  Carmen Miranda for me! No more Lupe Velez! Good-by Rita Moreno, Delores Del Rio! Adios, Chita Rivera! No one will ever think I’m a Latina again.”

Just outside the salon door, a shrunken old woman with large earrings, Aztec cheekbones and a mouth full of gold teeth  confronted me.

“You just get your hair done?” she asked.

“Yeah,”

“Oooooh,” she signed, breaking into a smile,

 “Aaay, you look so beautiful… just like Charro!”


##


 The story you’ve just read is from my first  book “Senorita Sin”, which is currently out of print…though  copies of it show up frequently on Amazon and eBay.

 My latest book, “Showgirl Confidential: My Life Onstage, Backstage And On The Road, is available here:


 
Photo by Dusti Cunningham, Design: Natasha Vetlugin

Saturday, August 10, 2013

A CROSS TO BARE


Welcome to my new blog! The story you are about to read is from my last book "Escape From Houdini Mountain", a memoir collection published by Manic D Press.

Skate And Destroy!

A CROSS TO BARE

I had to pick up the phone. Even though I hadn’t spoken to him in ages, his molasses-slow Southern drawl was unmistakable on my answering machine.

“You’ll never even believe what I’m doing now,” he said, obviously delighted with the irony that he was about to unfurl upon me.

I thought about the myriad ways we’d overturned any kind of moral and social decency – not to mention all the laws we’d broken – in our short but intense relationship. The last time I’d seen him, he’d been up for about three days and was about to make an impromptu road map to Alabama to sell the many bags of blow he’d been stashing at my house.  He promised to be back within the week and left, brushing his chapped, lipstick- stained lips against mine as I begged not to go.  A few months went by, then a year.  I heard he’d served time in the pen for drugs, and then married his high school sweetheart.  That was at least a  couple of decades ago.

“Let’s see,” I guessed, “…you’re a cop?”

“Nope!” he giggled still sounding boyish.

“Uh… you’re getting a sex change?”

He laughed even more uproariously, and then said in la voice with enough matter-of-fact conviction for me to know there’d be no way he was bullshitting,

 “I’m a Pentecostal evangelist minister.”

Well you could’ve knocked me over with a feather. I mean, I was absolutely, positively, maybe for the first time in my entire life, at a loss for words.

“No fuckin’ way!”  I finally stammered, then realizing my faux pas, I added,

 “I’m sorry, did my saying “fuck” just offend you?”

“Well, no…but the Lord kinda changed my vocabulary.”

*                   *                    *                         *


I’d been hearing about him for ages.  A skateboard champion wunderkind, he was a member of an elite clique of youthful daredevils, and the risks he took in that milieu were wild enough for him to stand out even in that fast crowd.

 I met him on Halloween night in my living room at Disgraceland, and when I first laid eyes on him, he was reclining on my couch, drinking a Bud, attired head-to-toe in my clothes, his face smeared with garish make-up, my favorite pair of rhinestone baubles dangling from his earlobes.

At the time, I was in an outrageous all-girl cow-punk band called the Screaming Sirens.  We were a combination of saloon gal Miss Kitty-style sleaze, biker chick badness, and rock’n’roll hooliganism.  We valiantly tried to play country and rockabilly music, but it came out sounding more like the Ramones than Kitty Wells. Our stage shows were train wrecks with beer bottles flying through the air, a flurry of ripped fishnets and torn petticoats and broken guitar strings as we plowed through songs, pulling guys up from the audience to make out with them.  I mean, I used to bite the buttons off guys’ shirts with my teeth.

 The fact that we usually played stoned out of our gourds on alcohol combined with some sort of hallucinogen or speed (we always took the precaution of making sure that if one player was on drugs, we all took the same thing so we’d play as a cohesive unit) just added to the general chaos and sloppy musicianship.  Offstage, our antics were even more notorious.  People were actually scared of us, and we made quite a name for ourselves causing disturbances on the club scene.

That Halloween night, we’d just done a gig in Santa Barbara with T.S.O.L at an all-ages place called Casa de la Raza.  I was bruised, burnt, sweaty, crabby, and tired.  Plus, I was infatuated with the singer of T.S.O.L. and even though we’d  rendezvoused with before, he was playing hard-to-get and that kina raised my hackles. For a change, I just wanted to go to sleep.  Meanwhile, in my absence, my brother Chuckles and a couple of his pals had decided to attend the Halloween festivities at the nearby Club Lingerie.  When they discovered there was a costume contest with a $100 first prize and all the free beer you could drink, they immediately left, went back around the corner to Disgraceland, raided my closet, jewelry box and make-up kit, and returned, entering the contest as the Screaming Sirens.

They won.

As I stepped into the living room and saw Chuckles and his cronies partying attired in my stage clothes, my lethargy turned to dismay.  I was so wiped that something I normally would’ve though was hilarious just annoyed me.

“Isn’t it great?” my brother beamed.  “We just won the $100 prize!

“I guess you didn’t know that the costume rental was $99.95!” I snarled.

 “Get that shit off and get the fuck out of here!” 

With that, I stormed off to my room and slammed the door. Moments later, there was a knock.  It was the skateboard champion, with a fresh beer and a key full of coke as a wordless peace offering.  It took a moment, but I accepted. Solicitous and contrite, he apologized profusely, begged me to come with them to a party, and offered to return my clothes.  Always a sucker for a pretty drag queen, I told him he could keep them on, and he whisked me off to the soiree.  By this time, it was about three-thirty a.m.

The band Tupelo Chain Sex was hosting the party, and everyone was on acid.  There was Slim Gaillard blaring from the stereo in the living room, and people in Halloween costumes practically having sex on the couch.  There was a pirate, a ghost, and a corseted witch smoking pot in the kitchen, way stoned and trying to make falafel from scratch.  In the bathroom, an old black R&B star, Don “Sugarcane” Harris (one of many Tupelo Chain Sex cultivated) was shooting heroin in the shower stall and scaring the shit out of the New Romantic girls teasing their hair at the sink.

 Me and the skateboard champ were in the driveway with a bunch of people, drinking beer and doing more lines off the hood of somebody’s battered up old Dart, watching a fight that was about to get out of control—two guys duking it out over a chick in a teensy weensy scarlet devil costume, her hair dyed a matching red.  Luckily, Chuckles stumbled down the porch steps at that exact moment and began hurling, which instantly cut the tension in the air.

“Styley!” he slurred, fondly regarding the massive pile of vomit steaming on the cracked pavement.

They didn’t call him “Chunkles” for nothing.

Soon, we were all back at my house with some boring hippie guy who had a block of cocaine so ridiculously huge that it resembled an unused bar of Ivory soap.  He was very generous with it until dawn broke, and then he bailed.  That didn’t stop us.  Oh, goodness, no.  Between the Screaming Sirens impersonators/contest winners and some strays we’d picked up at the party, there were about eight of us who kept at it until we’d depleted all of our drugs, plus whatever beer was left.

I figured this was as good a time as any to go to sleep, my bitchy mood back in place the moment the drugs were gone.  It was so bright in my room at that point that I briefly considered wearing my sunglasses to bed.  My hands and feet were literally freezing from the coke, and my throat was one big miserable cesspool of post-nasal drip.  Presently, there was a knock at the door, and the skateboard champ’s face appeared.

“Hey!” he staged-whispered urgently, “What’re you doing?”

I rolled my eyes in answer, as though it wasn’t perfectly obvious I was trying to sleep.

“Come with me!’  he said,

 “Let’s go to Buena Park!”

Buena Park is an absolutely dismal, post-World War II suburb  full of shabby little stucco houses, about forty minutes south of downtown L.A.  The only two possible points of interest—if you could even call them that—are Knott’s Berry Farm, a cutesy Old West-themed amusement park, and Medieval Times, a horrendous, over-priced white bread establishment where “wenches” (read: perky high school seniors in polyester corsets) serve you non-alcoholic grog while you watch out-of-work movie stuntmen reenact jousts.  Buena Park is the kind of place dreary housewives with helmet-shaped poodle perms get addicted to prescription drugs and go max out their credit cards at Target and Home Depot.

“What the fuck are you going to Buena Park for?”  I asked, oozing charm.

“To get more!”

“Well, I want to go to sleep,” I said.

 Suddenly, he was on my bed on my bed, his breath warm on my neck. We wrestled verbally for a few minutes, his hands roaming tentatively over my legs.  He was really cute—snapping blue eyes, jet black dyed pompadour, not to mention the fact that my earrings looked simply stunning on him.  But my coke crash and impending hangover plus his persistence were annoying the hell out of me. He just couldn’t take a hint, so I sat up, summoning the last vestiges of the blow, and decided to take charge.

“You want to fuck, is that it?” I sneered.

“Yes, ma’am!” he replied, all puppy-dog enthusiasm, clearly unaware of the sarcasm in my voice.

“Okay, I’ll fuck you, but you have to promise to get out right after!”

  His eyes widened like a Japanese cartoon as I stripped my clothes off and lay on the bed.

“Go ahead,” I said, impatiently, not a hint of seduction in my voice.  “Fuck me.”

As he climbed aboard and started going through the motions of foreplay, I did everything possible to ignore him, short of grabbing a magazine and reading it over his shoulders while he sucked my nipples.  All I wanted to do was go to sleep.  I shut my eyes tightly and wished for slumber over and over, barely aware that he’s just entered me.

 When he began thrusting, I opened my eyes and took in the entire scene.  His angelic baby face, smeared with running mascara now looked more like Alice Cooper after a tough gig than an ‘80’s Glam chic, with huge earrings, rhinestone necklaces, my favorite black slip amateurishly stuffed with falsies, his round little ass pumping away framed by my pink leopard garter belt and some trashed Danskin fishnet hose… and I started to laugh.Then he did, too… For a second before he came I actually joined in the festivities, and then it was over.

Back to business, I ordered him out.  He started removing my clothes and pulling on his Thrasher t-shirt and worn blue jeans and stared at me forlornly.

“You sure y’all don’t wanna go to Buena Park?”

“BYE!” I said, watching him shuffle towards the door, all hangdog and sad.

 No sooner had he exited, he was back popping his head into the room again.

“WHAT?!?”  I yelled, at the end of my rope.

“Can Ah see you again?” he asked hopefully.

“As a boy or as a girl?”  I asked, praying that this final dis would get my point across.

He smiled coyly, revealing deep dimples and said,

 “Whatever yew want!”

Hmmm, I thought to myself, this could be fun.

A day or two later he showed up around twilight, with his battered skateboard, a case of beer, and a blond kid in tow.  They were up in Hollywood from Orange County to skate the ditches in Bronson Canyon, and were all sweaty and grimy, having just come from Pacific Palisades where they’d been ripping the banks at Revere Junior High. The minute the surfer kid went into the bathroom, my boy toy was pulling down his trashed Levi’s to proudly reveal a red satin garter belt and black stockings.  He stayed over that night, and after a few days it was pretty clear that he’d moved in.

We began an affair that lasted a couple of months. He was fun and crazy and would do anything, with an aura of twisted innocence and sincerity about him. It was kind of like Huckleberry Finn Meets Divine.  I got him more and more into drag, and with my make-up expertise, he looked so good that straight frat boys would try to pick up on him.  He was muscular but slightly built, and all my midriff angora sweaters and little satin 1930’s bed jackets fit him perfectly.  His hair took teasing and Aqua-Net well and looked especially nice with a big pink chiffon pussycat bow a la Cyndi Lauper tied into it. Hookers on Hollywood Boulevard were among the most appreciative of his fashion statement.  He looked better than any of the Hispanic queens on duty there.

We’d stop at Book City and flip through Hollywood Babylon looking at our favorite vintage stars, and I’d repeat old Tinseltown scandals to him in detail.

“Pleasant,” he’d sigh adoringly, “You’re the smartest gal I’ve ever been with!”

“That’s not saying much,” I’d snap.  “You’ve only been with teenage white trash girls!”

We fell into a kind of debauched domesticity. He got a job delivering pizza and would come home and tell me about the complimentary blowjobs he’d gotten from ho’s in alleys off the Boulevard, while he put away records and dusted in nothing but stockings, garters and pumps.  He knew I was still kinda carrying a torch for the guy from T.S.O.L., but it didn’t matter.

“Ah know you’re in love with someone else, but Ah love yew,” he’s day, throwing his arms around me, smudging his pink Stagelite lip gloss passionately onto my throat.

“That’s nice,” I’d say.  “Will you make me a drink?”

One day he came over with another pal from Buena Park and a big duffel bag covered in skateboard stickers. My roommate Iris and I watched in amazement as they emptied its contents—an amount of coke that would’ve make “Scarface” Tony Montana sick with jealousy.

The four of us spent the next few days chopping, weighing, bagging, and of course, snorting mass amounts of the coke, laid out on this avocado green vinyl card table that I’d done arts and crafts on as a little kid.  We listened to Johnny Thunders over and over, talked incessantly on the phone, and used up every shred of toilet paper in the house.

  Christmas came—and it was white, of course. Christmas Eve we went to the Frolic Room out of our minds on what my brother Chuckles was now calling “goon.”  I stole Christmas balls from the bar and made earrings for the boy toy, then he bought a condom from the bathroom, and we went home and fucked with it, laughing at the novelty—neither one of us had ever used one, it being the early 80’s.

Shortly after New Year’s (we were up for three days doing “bed checks,” calling every soul we knew, wired out of our minds and billing it all on a hot credit card), his partners in crime from the Deep South showed up and talked him into taking a short trip to sell the stuff—heck, he’d be back “within the week.”

 Yeah, right.  I knew already at that point I’d probably never see him again, but he left anyway.

*                 *                *                   *
           
So his voice sounds exactly the same on the phone while he’s telling me that the Lord has changed his vocabulary, and I’m having all these warped fantasies—does Pentecostal mean he’s a snake handling, battery acid swilling guy in some tiny rural wooden church with people rolling on the floor, speaking in tongues, screaming and shit?  Maybe he’d still let me tie a big bow in his hair, if we could make it look more religious, like with big Madonna crucifix earrings.  Or is he more like Jerry Falwell, kind of fat and balding, but with women’s lingerie under his monkey suit and clerical collar?  Do Pentecostal ministers take confession?

We promise to keep in touch and he tells me it’s one of his dreams to rent a huge building out here, maybe even Frederick’s of Hollywood, and turn it into a giant church for a day invite all his old skating and rock’n’roll buddies to hear him preach.  He tells me he gives sermons in Haiti to thousands of people, builds new churches there, and tours all over the southern U.S.

A few days later, I get a pamphlet from his ministry and there’s an old photo of him in a police hat and ripped up jeans with a skate, sitting in the back of a vintage Caddy.  I think it was an old ad for surf and sportswear.  Under it are a few paragraphs about his was a drug addict that hung out with prostitutes and lived a decadent Hollywood lifestyle, so he really knows about the despair of inner-city sinners.  I’m thinking, I’ll say!

There’s a recent photo of him with his wife and two kids, and God, oops… I mean, gosh, he looks good, all lean and tan—you’d never guess he’d been in jail.  He looks really happy, too.

A few months later he calls excitedly and tells me he’s going to be in California for some services, and he comes to visit. I take him to Aimee Semple McPherson’s Four Square Gospel Temple in Echo Park and he can’t believe that I know who she was.

“She’s one of the most famous evangelists ever!” he said, obviously thrilled.

“She faked drowning in Santa Monica Bay and was discovered in Santa Barbara shacked up in a bungalow having an affair with her radio operator.” I answer.

Feeling guilty over this outburst, I press my cleavage up against the plate glass doors of the church and con the handyman into letting us in, even though it’s closed.  We somehow connect with the minister and he takes us around, pointing out all the temple’s amenities.

“After earthquake reparations, our balcony can now seat three hundred,” says the minister, excitedly.

“Three hundred?  Praise the God!”  answers my man of the cloth.

 I’m beginning to feel like I’m in an Altman movie or something, this is so strange.  I mean, I can remember being totally shitfaced at skateboard contests and rolling on the floors of clubs with this guy, putting on matching bustiers to go to the movies on acid, stuff like that.  As we drive home, he puts on one of Sister Aimee’s inspirational tapes.

We stop to shop for vintage clothes—he wants to look cool for the kids of his congregation.  He seems so simple and carefree; I’m wondering if it’s being born again or whatever, then I recall that he’s always been this way. One time I made him go out and get me Tampax, and when he came back with the wrong brand, I screamed at him and threw the box at his head, and he didn’t even bat an eyelash.  He went back to the store and got the right kind.

We wind up back at my house, where suddenly I’m very conscious of my paintings, all naked women, martini glasses afloat with plump olives, occult symbolism, and horned devils.  We sit on the couch drinking lemonade, I tell him about a recent car wreck I had, and he offers to heal me.

“Sure,” I say, kinda skeptical but willing to try anything to get rid of my back pain.

  “What do we have to do?”

He tells me to concentrate and shut my eyes, as he takes my hand and starts praying. His voice is even yet powerful, with a resonate tone I hadn’t noticed before.  It sounds kind of official, like a radio announcer or a news anchorman.  Every so often he’ll go, “Oh, Lord,” in a conversational way, or maybe it’s that corporate technique where you say the name of the person you’re talking to so they’ll feel more at ease and pay more attention to what you’re saying.

 I can’t resist taking a peek, and he’s sitting there with his eyes all squinched shut, really into it.  I’m thinking, he’s really, really good at this, and with his looks, why, he could be on television!  I mean, forget about those jowly old farts like Jim Bakker and Ernest Angeley—this guy could make letting Jesus into your heart sexy!

He finishes up, and pats my hand, saying he hopes I’ll feel better.  He gives me a peck on the cheek, a pristine hug and then he’s gone. 


 To purchase an autographed copy of  "Escape From Houdini Mountain" click here: http://www.princessfarhana.com/book_houdini.htm



Monday, July 29, 2013

TALES OF TOURING TERROR


Welcome to my blog!


The story you are about to read is an excerpt from my memoir, a collection of  short stories titled Showgirl Confidential: My Life Onstage, Backstage And on The Road,  published by Punk Hostage Press.
The Screaming Sirens; L to R: Laura Bennett, Marsky Reins, Rosie Flores, Pleasant Gehman, Boom Boom Dixon




TALES OF TOURING TERROR




It was 1987, and my crazy, liquor-soaked, thrashin’ all-girl cowpunk band The Screaming Sirens were on a US tour promoting our albums, "Fiesta" and "Voodoo”. We were booked into a roadhouse called Rooster’s in Nashville, Tennessee and had been living like full on "Spinal Tap" style road-pigs in the midst of a self-booked tour. We’d been playing every night and- if we were lucky- sleeping on stranger's floors. We traveled in an unheated old Winnebago-conversion van, which also wasn’t air-conditioned, so no matter what season we were in, it was always uncomfortable. The ceiling of the van was festooned with fishnet stockings, crepe paper streamers, bumper stickers, and our own lipstick graffiti. The windows on one side were plastered with torn-apart Tampax boxes, to block out the sun…and to act as a warning to the hapless college radio fans that came to our shows that five batshit crazy women were inside, their monthly cycles neatly synced up.

This story unfolds on the eve of Sirens’ bassist Laura's birthday, on a chilly November night.

 As twilight fell, I stepped outside the stage door of Rooster's, and as my eyes became accustomed to the dark, I couldn’t believe what I was seeing… a mossy Victorian-era gravestone, leaning up against the building, almost covered in weeds. There was new dirt and clumps of grass stuck to the bottom of the monument; it looked to be freshly dug up.  Even more amazing, the headstone was for a girl who had died at age twenty-four: the same age Laura was turning that very night.  Not only that, the girl had died on November 4th…  Laura's birthday! Going inside to club to report my find, I asked if there was a graveyard anywhere in the nearby vicinity. Everyone from the club that I questioned assured me there was not.

 Thinking that the headstone would make the ultimate birthday present, I borrowed a hand-truck from the club and cajoled some local boys to help get the headstone to our dressing room.  I blindfolded Laura and dragged her inside to see her present.  Laura was a tough, hard-drinking, wisecracking punk chick, who, before joining the Sirens, had been in a band called Hard As Nails, Cheap As Dirt. She had a macabre sense of humor, and like the rest of us, always appreciated a low-budget splatter flick, so the whole band assumed she’d be delighted with her present, especially since we were too broke to be able to afford anything else.

 As her blindfold was removed, instead of the anticipated reaction of laughter, Laura turned-pun intended- white as a ghost. She whispered hoarsely, her voice trembling audibly,

"Get that fucking thing out of here right now!"

 Disappointed that our gift didn’t go over well as we’d thought it would, we all scrambled to get the gravestone back where I’d found it, crashing into amps and drum-sets in the narrow hallway on the way outside.

 Eerily, the headstone seemed to put a curse on everything that happened after that.

 Our gig that night was terrible- maybe the worst of the whole tour- plagued with more than our usual share of technical difficulties. The boys we were flirting with didn’t respond the way they usually did, the audience was a bunch of dullard cowboys and we didn’t sell any merch.

 As we loaded up the van in a dense fog, it began to drizzle. Laura's purse somehow disappeared from the parking lot. The whole band searched for ages both inside and outside the club as well as in our van, but her purse had vanished without a trace. Dead tired and with no speed or even coffee, because it was so late that even rural convenience marts and truck-stops weren’t open, Laura and I drove the van through lighting, thunder and torrential rain for three and a half hours before discovering we'd gone in the wrong direction. Usually we chattered endlessly on our late-night drives, but tonight we were both quiet and grimly introspective. Practically crying, we finally figured out the right way to go.

  Back on course, we were speeding through Kentucky at daybreak, desperately trying to get to St. Louis on time for our gig that night, and of course we got pulled over.

 Laura was driving, and since her purse was missing, she had no license. We both looked completely terrifying in our previous night’s sweat- caked stage make-up with remnants of glitter crusted around our eyes, we looked like carnival corpses from a cheap funhouse. Laura was wearing a decomposing vintage beaver fur coat over long-johns and I looked like a dead clown; orange hair with rags tied into it, a man's 1950’s pajama shirt, huge torn-up net petticoat, boxer shorts, red striped stockings and turquoise Converse high-tops.  Everyone else was passed out cold, and we were hoping the van wouldn't get searched, because if it did, we'd probably wind up on a rural chain gang!

 The cop didn't even have to say Yew ain't from 'round heeere, are ya?

 We could see the diabolical inbred glint in his eyes.  Miraculously, he didn’t seem to notice the scores of Dead Soldier Budweiser cans that littered the floor, along with stray fishnet stockings, crumpled cigarette packs, No-Doz boxes, rolling papers, battered cowboy boots and an empty bottle of Everclear.

  That cop screwed us up pretty good, anyway: we not only got a seventy-five dollar ticket (an astronomical amount in those days, especially for us) he held us up at the side of the road for almost forty minutes as he made a huge deal of having his dispatcher call LA to make sure Laura didn't have any arrest warrants. The fact that it was confirmed to be her birthday held no sway with him, and even though we explained our predicament-her stolen purse, being late for a gig, and the fact that the road we were speeding on was completely deserted, he went ahead wrote us the ticket with sardonic glee.

Finally arriving in St. Louis, we sent our entire band-fund back to LA by money order. Our reasoning was that   because of the way things had been going, we were scared to keep a large amount of cash with us, just in case it got lost or stolen. Plus, our gig that night was an anchor date, with the biggest guarantee of the tour, so we’d be flush in a matter of hours.

 When we got to the club, we found out that the booking agent who’d hired us had apparently been fired recently.

The club’s manager was like,

 "Screaming  who?”

We sat in the parking lot forlornly, with grim reality setting in.  We had only sixty-odd dollars left to share between seven people- counting our personal monetary stashes- and no gig for three days. As it began to snow, we made repeated attempts to contact the promoter of the next show in Kansas City by pay phone, but no dice. Boy, were we bummed.

Pretty soon, the guys in the Top Forty house band showed up for their gig that night. Somehow they’d found out that we were a stranded all-girl band from LA, and, interest piqued, they smuggled beer and popcorn out to us. We shared our last shreds of pot and recited our tale of woe.

 The house band guys excitedly told us that Supertramp was playing the coliseum down the street and that the after-party was being held here at the club...like we cared! Supertramp? You gotta be kidding! We were so “alternative” that we had no idea what Supertramp’s hits were, and didn’t give a shit anyway.

 But those Top Forty guys were being nice to us… so we were nice right back, acting suitably, charmingly impressed with this “amazing” news.

 We borrowed a couple of bucks from them, promising sincerely to send it back from our next gig, and went out to an absolutely dismal Italian birthday dinner at The Spaghetti Factory. All of us shared plates of food, drinking communally from the decanter of hellish, vinegary cheap red wine. Laura blew out her one candle and we all split the pathetically stale chocolate cup cake as though it was manna from heaven. We barely had enough to pay the bill, and left someone’s keychain and a random punk rock badge as a tip.

 We drove back to the club's parking lot -where else were we gonna go- and since it was really starting to blizzard by now and we didn’t want to risk driving or running out of gas in a snow storm, figured that we’d spend the night right there in the parking lot, shivering in our unheated van.

 On cue, the Top Forty guys came out again with more beer and we joked around. Even though they were "normal" and we were punk rock scum, we were still chicks, and chick musicians, no less… which really was a novelty in those days. They were intrigued with us, because even though we were broke and stranded, we were living out a rock 'n' roll dream, and besides, we were from HOLLYWOOD!

The guys went inside and convinced the manager to let us play a set on their equipment, and were insanely delighted when we emerged from the club’s bathroom, looking all fresh and newly made-up with our garish Ronnettes-style eyeliner and Wet ‘N’ Wild ninety-nine cent lipstick. I have to say that through the wonders of Aqua Net and dime store make up; we always cleaned up very well… even on tour with hangovers and no showers! The Top Forty guys kept bringing us pitchers of beer before we went on, and while they played, they announced to the entire club that it was Laura's birthday, and told our whole sad, crazy whole story onstage.

 Pretty soon the entire club sang "Happy Birthday" out loud to Laura. We played a wild set, with audience members sending trays of shots up onto the stage. Construction workers in plaid shirts were jumping right up onto the stage to shake our hands, steal a kiss or do a shot with us. The audience was going crazy cause they’d never seen five girls in torn-up lingerie and biker jackets jumping around, sweating, cursing and playing well.

 Right when we finished, the guys from Supertramp started congratulating us, buying us rounds of cocktails and giving us tons of blow in the dressing room, yelling in practically unintelligible English accents about how “FAKKING GREHT!” they thought we were.  They played their set, and in between songs, took up a cash collection from the audience so we could have gas money. We’d played with a wild assortment of bands in our career, from The Ramones to Roseanne Cash, but never thought we’d ever open for Supertramp!

 By the end of the night, our luck had turned around. Our roadie Jonny Lee had gotten in touch with the promoter in Kansas City and he arranged a place for us to stay that night, which turned out to be his mom's house -soft beds, home-cooked meals, cable television, yeee-haw!)

 It’s been almost three decades, but to this day, if you mention the word birthday to Laura, she winces and pain and changes the subject right away.




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