Showing posts with label ghosts. Show all posts
Showing posts with label ghosts. Show all posts

Wednesday, November 16, 2016

THE UNINVITED GUEST






 I woke up suddenly with a sharp gasp, like a heroine in a 1960’s Hammer Film. I wasn’t scared, but the adrenalin flooding my system told me I was on high alert. Remaining still, I listened for suspicious sounds until I was satisfied that no one was inside the house…and then I noticed the circle of mist on my ceiling.

It was a perfect ring, about a foot and a half in diameter,  glowing like a neon halo, the jarring lime green of radiator fluid. It revolved so slowly in a lazy counter clockwise orbit  that I wasn’t even sure it was actually moving.

Fully conscious and completely sober, I’m also ridiculously blind.  My eyes didn’t stray from  the mist as I groped for my glasses on the bedside table, certain that what I was seeing was an optical illusion  caused by the dark and my bad eye sight.  As I slid my specs  on, the radium-like glow became crisp and intensified. It occurred to me that the misty circle was probably emanating from the little operation light on my smoke detector, mounted above the headboard on the wall behind me. I twisted around to check; the light was on all right, but it was red, not pale green.

  Convinced I was experiencing a lucid dream, I clambered out of bed in order to wake myself fully. I entered the bathroom,flicking on the light switch.  I peed,  wiped, flushed the toilet, washed my hands, dried them, and applied lotion. Satisfied that I had performed enough mundane actions to prove that I was truly awake, I turned off the  bathroom light,padding  the down the hall to my bedroom.

 I tossed my glasses  carelessly  onto the bedside table, crawling back into bed without looking at the ceiling. Deliberated keeping my eyes closed, I pulled the comforter up all cozy around my chin.

Then the internal debate started.

 I felt like a cartoon character with a devil on one shoulder and an angel on the other as   a two-way conversation began inside my head.

 So, are you really going to go to sleep without checking to see if that thing is still on the ceiling?

 Yeah… it’ll be ok.

 The First Voice paused for a moment, trying to comprehend the stupidity of the Second Voice’s answer, before snapping,

 Are you fucking high?

  With that, my eyes fluttered open tentatively, and I realized two things simultaneously:  that the mist indeed was still there- and it’s very presence was a confirmation that I hasn’t in fact, been dreaming.  I also understood with more than a passing feeling of discomfort, that in order to have gotten into bed completely willing to not check on the mist, that it  somehow must’ve been hypnotizing me into a compliance. Whatever this was, it was real…and it was now brighter, solidifying and definitely moving faster. As I watched the revolutions become more rapid, I tried to think practically and stuff down the dread that was rising up in my chest.

 The First Voice suggested,

 You should say The Lord’s Prayer

  To which the Second Voice replied with  disdain,
Someone’s seen wa-a-a-a-ay too many horror movies!

  Ignoring the Second Voice, I telepathically communicated to the first Voice, “ Should I actually say it or is it ok to just think it?

   There’s no one here, the First Voice answered, either way is fine.

 Dutifully, I recited out loud,

 “Dearly Beloved…”

 The Second Voice cut me off immediately:

 You idiot-that’s not The Lord’s Prayer! Who doesn’t know the fucking   Lord’s Prayer?
 That’s for a funeral or a wedding or something…Get it together!

 Seriously, what kind of a lame-ass was I?  I hadn’t really been raised with religion but-pun intended- God knows how many times I’d seen The Exorcist, and I certainly listened to Siouxsie And The Banshee’s 1979 punk song version of I The Lord’s Prayer enough to have the entire thing  memorized.  I wracked my brains, groping for the correct words  before I began tentatively,

 “Our Father who art in Heaven, hallowed by thy name….”

The vapor pulsed on the ceiling, blinking rhythmically while it spun, as though it was transmitting a code. True panic started rising in my chest as furtively wondered if I should ask it to leave.

  Then, before then First or Second voice even had a chance to chime in, my  real  voice took on a forceful tone that wasn’t my own as I abruptly commanded loudly:

 “IN THE NAME OF JESUS CHRIST, YOU NEED TO LEAVE NOW!”

The words were barely out of my mouth when intense pitch black dot appeared in the center of the circle of mist, accompanied by a  quick pressure drop in my ear canals, as though I was in a plane that was losing altitude  quickly.  Suddenly, like stop motion animation, the black dot widened with a roaring sound , and as it did, and the green mist grew with it, swirling precariously. The mist circle suddenly split in two,  both halves leaving the ceiling shooting down towards the bed.  Just as rapidly, they rocketed upwards, roaring through the hole, disappearing.  The hole then sealed itself shut with a loud crack.

 I bolted upright, my hair on end, my entire body covered in goose bumps. I slapped on the bedroom light as I leapt out of bed and crashed through the hall, knocking a couple  framed photos off the wall. I turned out the bathroom light, the lamp and overhead in the in the living room, and both kitchen lights.  Pacing like a lunatic, I switched  on the television, the radio, and my computer. The clock said 3:33… The Witching Hour, I noted only semi-ironically, as I began to cry. It was too early to call anyone, and even if I did, what the hell was I going to say?

 I wasn’t sure what had just happened to me, but   I didn’t feel  comfortable with it…at all. I stayed up listening to talk radio and an early morning local news program, chain smoking and doing busy work  that I never normally would do, like reorganizing CDs and dusting.  I went out and got sage   that morning and smudged the entire place.

 A month or so later, a neighbor who lived in the front half of my house asked if I thought it was haunted.  He said that the night before, he’d heard footsteps on the roof.  I asked him if he was sure it wasn’t raccoons, and he said he was.

 Sizing him up for a moment, I decided he looked like handle my story without getting too freaked out, so I told him  everything.  There was a pretty long pause before he asked,

 “Why didn’t you call me?”

 “Oh, suuure,” I said, trying not to roll my eyes,

 “Like I was really gonna call you in the middle of the night to tell you that a portal opened up on my ceiling?”

 “I guess not,” he said sincerely, “But if it happens again, please call me!”

 A week after we had that conversation, it did happen again… but this time I was prepared.  The mist manifested sharp, dense and considerably larger this time. It had barbs and points sticking out of it  like a really badly done late 1980’s Tribal tattoo. I had been on the verge of sleep when it appeared, so it was a lot less disorienting than being awakened for REM sleep.  Narrowing my eyes as I stared directly  at it, I addressed it with the psychotic bravado of Robert DeNiro as Travis Bickel in  “Taxi Driver” -You talkin’ to me?   This time I bypassed the First Voice, The Second Voice and The Lord’s Prayer, growling like a battle cry:

“IN THE NAME OF JESUS CHRIST YOU HAVE TO LEAVE RIGHT NOW!”

… and it did.

The portal sealed back up and the pressure normalized in my ears. Before I rolled over and went to sleep, I saw that the clock said 3:33.

The next day, my neighbor didn’t mention hearing me yelling, and the mist never came back.

 #
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Saturday, September 19, 2015

FULL HOUSE



 
Poster for The Sensuous Woman Aug. 10, 2007 at the Renburg Theater, Los Angeles

 I spent most of 2007 dancing in The Sensuous Woman, comedian Margaret Cho’s boundary pushing, gender-bending burlesque and variety show. The production melded Margaret’s outrageous stand up comedy with classic as well as post-modern striptease plus a slew of hilarious song-and-dance numbers. “Sen Wo”, as we affectionately called it in homage to J-Lo, originally started as a one-off benefit show at the historic Los Angeles nightclub El Cid. It immediately sold out and we were asked to do a residency there, which lasted several months. That led to dates in San Francisco and an appearance on Fire Island, New York’s famed gay enclave. Eventually a tour was booked, which included a week in Chicago and a six-week Off Broadway run in New York City.

The show was wild by anyone’s standards. Margaret stripped langorously to classical opera until she was totally nude before parting her huge feathered fans to reveal a disturbingly realistic flaccid penis.  Transgender comedian Ian Harvie’s set focused on his misadventures trying to get a bag of dildos through the TSA security checkpoint at an airport. Selene Luna,  a 3’ 10” comedian and burlesque dancer known as “The Pocket Venus”, rode onstage in a vintage  baby carriage before toddling around stripping out of a christening gown  and frilly bonnet. Liam Sullivan performed his hit song Shoes as his teenage nerd-drag alter ego Kelly; queen-sized burlesque legend Dirty Martini did “The Patriot Act”, which concluded with her pulling an endless string of dollar bills out of her ass. Mustachioed dancer Ryan Heffington rampaged through Michael Jackson’s Dirty Diana dressed in acid-washed 1980’s denim and a miniscule G-string, doing splits in over-the-knee platform boots before climbing over the chairs to assault audience members with uber-raunchy lap dances. In comparison, my Wizard Of Oz burlesque act as a slutty, stripping Dorothy Gale who gets molested by a Flying Monkey looked tame.

All prurient lunacy aside, the entire cast was always just a little stunned at the show’s popularity- who would’ve ever thought that that an audience made up of about ninety-five percent queer men would flock to a show which primarily featured women twirling tasseled pasties?

In order to up the ante even further, it was decided that for the tour, we’d add in a couple of Busby Berkely-esque group numbers for the opening and a grand finale. We moved into another residency, this time at the Los Angeles LGBT Center’s Renburg Theater in Hollywood to woodshed the new, improved show before taking it on the road. We rehearsed at the Center through most of June and July, before finally moving into the theater itself for our dress and technical rehearsals.  We were very pleased with the venue; in addition to state-of-the-art sound and lights, the Renburg featured modern plush chairs, which reclined for optimal audience comfort.

During our first tech rehearsal, Ian and I decided to go out into the middle of the house to see what the lighting looked like from the audience.  Since it’s always difficult to know what the stage lighting looks like when you’re actually standing under it, we decided to take photos for reference.  As we whipped out our smart phones, Margaret was onstage going through her  “Chairman Meow” burlesque number.  She was in mid-striptease, wearing  a Chinese Army uniform, her twin braids peeking out from under her Mao hat.

“Hey, look at this,” Ian cried, perturbed, brandishing his phone under my nose,

“It looks like it’s snowing in here! ”

The photo he’d taken captured the entire theater as well as the stage, and the whole picture was chock full of orbs. Some people think that  orbs-the white or translucent spheres that appear as anomalies on photos -are merely dust particles on the camera lens, but others believe they’re a visual manifestation of spirits. Many are convinced that when orbs show up on film, it’s a sign that angels are nearby.

As Ian aggressively dusted off his phone screen and camera lens, just in case of dust, I snapped a photo on my phone... and the resulting picture was exactly the same as his.

 Ian cocked his head, arched an eyebrow and asked,

“Do you think these are orbs?”

We immediately both wondered out loud about the possibility of the Renburg being haunted, as many theaters are reputed to be. In fact, historically, so many theaters are alleged to be inhabited by ghosts that for the past decade, the famed New York Theater publication Playbill actually tracks- and publishes - sightings  of apparitions and other reports of paranormal activity in it’s annual Broadway Yearbook. After a “spirited” discussion, we both decided that since the Renburg Theater was built recently, it probably wasn’t haunted after all.

Just then, the theater’s director Jon Imperato came up to us, asking if we were pleased with the venue.  We assured him we were, and making small talk, Ian asked how many people the theater held. Jon’s answer stunned us into silence.

 “ We hold five hundred, “ he said, making a sweeping gesture,

“...And every seat in here is dedicated to honor the memory someone who died of HIV or AIDS-related complications. There’s a plaque on the back of every chair.”

As Jon walked off to check on the lighting, Ian and I looked around. Indeed, every damn chair in the place had a plaque on it, with the name, birth and death dates of the individual it honored.

Glancing down at our phones to see the orb-filled photos once more, Ian and I locked eyes.

Ian wrinkled his forehead as he surveyed the theater.  He nodded imperceptibly a few times as though he was processing his thoughts, then exhaled slowly and said enthusiastically,

“Well… I sure hope all you guys enjoy the show!”


#

 The story you've just read is from my  forthcoming book (Super) Natural Woman  which will be published by Punk Hostage Press in 2016.

 
 The Sensuous Woman: left to right Ian Harvie, Margaret Cho, Dirty Martini,Ryan Heffington, Selene Luna, me


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