Showing posts with label Kid Congo. Show all posts
Showing posts with label Kid Congo. Show all posts

Thursday, July 16, 2015

THE GERBER BABY'S TECHNICOLOR YAWN: A PUNK ROCK PRACTICAL JOKE GONE DELIGHTFULLY WRONG


Kid and me at our infamous Lobotomy Magazine  punk crash pad, 909 Palm in 1977  Photo by TheresaKerakes

 In 1976, when I was seventeen, I came up with an ingenious way of buying booze. The idea was that I’d disguise myself as a practical, somewhat harried young mom who just happened to be picking up a fifth of vodka… along with the rest of her weekly household supplies.  

 I’d go to the supermarket- never a liquor store; that was an obvious bust- dressed up in what I hoped looked like   “straight lady” clothes: taupe pantyhose and a conservative beige vinyl pocketbook that had all been dumpster-dived from a Salvation Army Donation Box.  In keeping with what I imagined a Normal Housewife would look like, I’d pull my hair back in a tortoise shell Goody barrette, and apply frosty turquoise eye shadow as opposed to my customary winged Ronnettes-like tough rock’n’roll chick winged eyeliner. Then I’d put my glasses on- I’m so blind that I   need them to see more than two feet in front of me- but they were so ugly and dorky I never wore them to gigs or anywhere important.  However, they were perfect for the character I was creating!

 Somehow, I always passed. I like to think that my superlative dramatic skills were what conveyed my Young Mom Realness to the staff at the many stores where I pulled this scam.  It wasn’t until I hit my late thirties that I stopped I looking like a baby-faced pre-teen.  Hell, maybe it was the glasses after all!  So I’d   get all dressed up in my costume and collect money from my three roomies whenever we needed a drink- and that was often- before trotting off to the supermarket to score.

 The four of us lived in a non-descript 1950’s apartment building at 909 Palm in West Hollywood. Our lifestyle   was similar to a hippie commune, though our aesthetic was strictly Post Glitter Rock, informed more by John Waters and The Rocky Horror Show than The Merry Pranksters.  The lease on our place was signed by Ann McLean, a party girl whose Hammer Films Scream Queen looks belied her eternally sweet nature, and Bing Crosby’s grandson Dennis, a witty, louche bon vivant who’d spent his years at Beverly High tottering around on platform sneakers doing amyl nitrate in the hallways while he cut class.  Ann and Dennis had been fast friends ever since they’d met at Rodney’s English Disco. Tiny but legendary, Rodney’s was the ne plus ultra of Glam, where The New York Dolls, Alice Cooper and Led Zeppelin would get cozy with the scads of scantily-clad fourteen year-old-groupies while Rodney himself spinned Bowie and The Sweet. None of us living in the apartment were gainfully employed-or working at all- except our fourth roomie, Kid Congo, who, in his life before The Cramps and The Gun Club, took the long bus ride from our apartment to his part-time job as a clerk at Bomp! Records in North Hollywood.  At the rate we all drank, I had to pull the Young Mom stunt so often that it was absolutely necessary to rotate between the many markets in Hollywood so as not to arouse suspicion.

Once I arrived at the store, wary of any grocery clerk’s watchful gaze and with the craft of a highly trained Method actor, I’d stroll down the aisles at a leisurely pace,  acting out “comparison shopping”  on stuff like sponges, Tupperware and cooking utensils.  Since my roomies and I were on an extremely limited budget, literally scraping up pennies from the carpet to buy our hooch, the concept was to keep up the ruse while at the same time spending as little money as possible  on non-alcoholic things.  In addition to the all-important vodka, my regular checkout haul included three or four jars of baby food, a roll or two of toilet paper, and a package Kraft Macaroni and Cheese or Top Ramen.

 The booze was consumed instantly, the food got wolfed down in short order, and we were never without bathroom tissue.  But after a few months, the jars of baby food became a problem; they began to take over our kitchen.  We were all so poor we were loathe to waste food, so once in a while someone would wind up eating a jar of Gerber’s mashed plums or add some Toddler Chicken Bits to their Top Ramen, but even that never made a dent in our supply.

At one point, in a moment of practicality, Ann suggested we simply return the baby food to the stores and get the cash, but I nixed the idea. First of all, it was impossible to tell which store all the jars came from, and it wasn’t like I saved the receipts! More importantly, I was afraid that it would blow the entire scam if I suddenly showed up at some market with, like, twenty or so full jars of strained spinach… what would I say, that my quintuplets died suddenly?

So the ruse continued, and started to spread. Once I explained the concept to my close friend Theresa Kereakes, a talented photographer who worked with me on my punk rock fanzine, Lobotomy: The Brainless Magazine, she took to the idea like a duck to water. Soon, her cabinets were chock-full o’ baby food jars too.

 When Blondie first played The Whisky in February 1977, we held a party for them at Theresa’s pad. Amidst the Quaalude and Burgie Beer-drenched mayhem, we locked ourselves in the bathroom with the band to conduct an interview for Lobotomy.  The resulting cassette was uproarious, with standard interview questions interspersed with Clem Burke and Jimmy Destri yelling about The Bay City Rollers, Debbie giggling uncontrollably, and Chris Stein singing an off-key rendition of “Gary Gilmore’s Eyes” with lyrics changed to reference the roadie they shared with The Dead Boys, Michael Sticca.

Outside of the tiny bathroom, the party was in full swing, with pretty much all of Hollywood’s nascent punk scene in attendance.  All of the Go-Go’s were  there, of course, as well as Joan Jett, The Screamers and  The Plungers- Helen, Trudy, and Mary Rat. Members of The Germs, X, The Berlin Brats, The Bags, and pretty much Everyone Who Was Anyone made the scene, too.

That particular soiree was so wild, it was an absolute miracle the cops weren’t called -as they had been so many times before. It took a really long time to clear the apartment, and when it was finally empty, the place was more of a wreck than it had ever been...and that was saying something! Beer bottles and empty half-pints of booze covered every available inch of surface, as well as most of the floor. In the midst of the debris, we noticed that poor Kid was passed out cold on the kitchen floor.  He was a stalwart drinker who was like The Energizer Bunny- he was usually among the last standing at any particular event; tonight, incongruously, he was out cold. After numerous attempts to wake him up and help him move to a more comfortable spot to sleep it off, Theresa and I finally gave up…until I was struck with a lighting bolt of an idea for a practical joke.

 I opened the cabinet and grabbed an armful of the baby food jars.

“We’re gonna spread this shit all over the floor and around Kid’s mouth,” I yelled, laughing hysterically, 

“When he wakes up, he’s gonna think he puked all over the place!”

Theresa and I opened up all the jars and began to mix the strained peas and carrots with the chunky beef stuff to affect the appearance of a huge pile of Jack Daniel’s puke on the floor, directly adjacent to Kid’s face. With the precision and artistry of Michelangelo painting the Sistine Chapel ceiling, we daubed a bit of the disgusting stuff around Kid’s mouth and on his chin. In punk rock homage to Jackson Pollack, Theresa stepped back and flung some onto Kid’s arm as well. Satisfied that our endeavor was Puke Perfection, we decided to leave the horrendous mess of bottles and cans for the morning, took some aspirin and went to bed.

We awoke to the delicious scent of cooking bacon, which was almost-but not quite- enough to ease our hangovers, which were brutal. With the hunger that can only come after a night of binge drinking, we both enviously assumed that the smell was drifting in from a neighbor’s window.  Stepping into the living room, we were astounded to see that all the dead soldier beers, paper cups and booze bottles were piled into three huge trash bags sitting by the front door. As if that wasn’t enough, the dishes were done, the floors had actually been mopped, and Kid was standing at the stove, frying eggs to go along with the bacon he’d just finished preparing.  It also sunk in that Kid had to have gone to the store to get the food, too, cause it wasn’t like there was ever anything to eat in either apartment.

Theresa and I were speechless with shock- shit like this never happened.

 Seeing our stunned expressions, Kid ducked his head sheepishly as he handed us plates of breakfast.

“You guys….” he began tentatively,

 “I have a confession.  Last night, I…uh… kind of made a mess…so I cleaned the house.”

Theresa and I shared a sidelong glance, and  then just started chowing down.  We hadn’t anticipated the house cleaning or the breakfast,  but weren’t about to look a gift horse in the mouth!

 We were so consumed with guilt that it took us years-make that decades- for us to  ‘fess up and tell him the truth.



#


 For more scary punk rock memoirs, purchase an autographed copy of  my book  Showgirl Confidential , here:  http://pleasantgehman.com/writing.html



Tuesday, September 3, 2013

ESCAPE FROM HOUDINI MOUNTAIN




Welcome to my new blog!

What you are about to read is the title story from my book Escape From Houdini Mountain. My new memoir  collection Showgirl Confidential will be published in September on Punk Hostage Press.A book signing party for Showgirl Confidential will take place Sunday, Sept. 29, 2013 at Skinny's Lounge, 4923 Lankershim Blvd, North Hollywood, CA, 6:30-9:30pm. The official launch party & reading is Wednesday, October 16, at Skylight Books,1818 N. Vermont, Los Feliz,CA, at 7:00pm. Both events are free!
   More readings to be announced soon!



Ruins of the Houdini Mansion, Laurel Canyon 


ESCAPE FROM HOUDINI MOUNTAIN

It was 1981, and I’d been slam dancing the night away at the legendary  club The Starwood in West Hollywood, with my pals musician Kid Congo, artist Brad Dunning, and a noted cult rock star, who will hence be dubbed Mr. Monster.  I had a little crush on Mr. Monster, but then, everybody did.  He was tall and rangy, good-looking in a macabre sort of way, and was known for being completely wild, both on and off stage.  So when somebody suggested we all drop acid, I didn’t hesitate. Last Call rolled around a little too soon, and we beat it out of there before the lights went up.

After killing a fifth of Jack Daniel’s and beaucoup Budweiser at my house Disgraceland, we were all itching to get into trouble. Brad suggested we go to the old Harry Houdini mansion, up in the wilds of Laurel Canyon. The next thing I clearly remember is all of us running through the underbrush, screaming “HARRY! HAAAAAAA-REEEEEEE!”  like Allison Hayes as The Fifty Foot Woman when  she was stuck in those pesky high-tension wires yelling for her husband.  We were all joking about Houdini’s ghost acknowledging us, because apparently when he’d been alive he was really into séances.  Mr. Monster and I both heard music coming from Houdini’s guest house, rock and roll.  For some reason, even though the music seemed pretty loud, the other two insisted we were hallucinating, so we split off to investigate.

By this time, we were full on tripping—that kind of heart-skipping, strobing, blood-and-rust-in-your-mouth, peaking LSD high.

Kid and Brad made their way down the hillside back onto the street to the car, thinking we’d only be a minute, and Mr. Monster and I trudged through the woods to the Houdini guest house, which was built into the side of the hill with windows about a story and a half up from the ground.  Mr. Monster, who in his stocking feet was tall enough to give any NBA star a run for his money, suggested that if I stood on his shoulders and then he stood up, I’d be able to spy into one of the windows.  Loaded and devil-may-care enough to actually think this was a good idea in the pitch dark on a rocky, uneven hillside, I climbed aboard. Steadying myself on the rotting window ledge,  I saw about ten bikers: really big, scary, Bachman Turner Overdrive-sized bikers, with beards, beer bellies, straggly hair, greasy denim, and black leather jackets.  They were all sitting around this trashed room with candles everywhere, listening to a boom box, drinking beer and smoking some very skunky pot.  Back then, punks were punks, bikers were bikers—there was absolutely no crossover whatsoever. At that point, Mickey Rourke probably hadn’t even entertained the idea of riding a Harley.

All of a sudden, one  biker looks up and spots me with a huge, cartoon-like double take.  He thought I was hanging on the side of the building and ran towards me, chivalrously offering his hand.  I guess he couldn’t believe his good fortune at discovering a nubile teenage girl clinging to his window ledge at, like, 4:00am!

“No, it’s okay,” I said, all casual, as though this was normal.

 “I’m standing on someone.”

“Well, why don’t you both come in?” he said hospitably, gesturing to a side path that led to the door.

I jumped off Mr. Monster and we walked up to the house.  We were immediately offered refreshments, contraband, and a guided tour of the residence, where the whole gang was apparently “homesteading.”  It was far beyond any Roger Corman chopper-trash B movie.

We’re sitting in the bathroom, Mr. Monster and me, on the crumbling old claw-footed tub, with the Leader Of The Pack, who is astride the toilet.  He’s a skinny, pale guy with darting crystal-Meth-powered eyes and a Mansonesque intensity. We’re smoking a joint.  There’s a stoned-out lull in the conversation, and The Leader gets all weird and silent. Then, with what can only be described as a sinisterly quiet psychotic rage, he says,

 “I was in ‘Nam, you know.  One day I got this letter that my stepmother, the fuckin' bitch, slit her own throat with a milk bottle!”

Me and Mr. Monster share a brief sidelong glance, and in my acid consciousness, I knew I wasn’t the only one who was starting to get scared.  Then The Leader said, with all the veins in his neck and forehead bulging,

“When I found out she did that, man, IT MADE THE WAR FOR ME!”

He then busted into a red-faced, clenched-jawed, sociopathic grin.

I squeezed Mr. Monster’s hand in what I hoped was a signal, and he made some off -the-cuff excuse about leaving, but The Leader wouldn’t hear of it. Not wanting to offend him since it was clearly apparent he was deranged, we agreed to go and look at his pride and joy, his Master Bedroom.  He led us out into the woods behind the guest house, further up the hill.  It turned out to be under a flagstone gazebo that was fitted with a bare bulb lighting fixture that actually worked.  He pulled the switch, and sitting on top of a massive pile of trash was a round, king-sized bed with a ratty velveteen leopard bedspread!  We stared in slack-jawed awe until he motioned us back to the guest house, and said sort of confidentially that we could use this bed if we wanted to “make it.” 

What we did make was more excuses for having to leave right now, but we didn’t want to appear as though we were freaking out, which we were really starting to do.
 
As The Leader left to get us a new beer, Mr. Monster grabbed my hand and we ran for it.  Seemingly out of nowhere, the leader jumped into the middle of the path like a character in a cheap ninja movie and demanded to know where the fuck we thought we were going.  He herded us back to the house, and in desperation (after another failed escape attempt) I told The Leader that we’d decided after all that we’d like to “make it.” I think I even winked.



So we went out back to the gazebo, and sat on the bed in the dark feeling all paranoid, like maybe if we waited there long enough, they’d forget about us. We were there for maybe five minutes, maybe twenty—who knows?—and we began making fake sex noises, so the bikers would  think we were fucking.  Somehow, I’m not sure how, we really started to have sex. We were making out and Mr. Monster yanked off my tattered jeans and white '50s majorette boots in one fell swoop.


I remember lying there in my little angora sweater, laughing hysterically, staring at my feet on his shoulders in the moonlight and seeing my shocking pink, fuzzy Gorilla Sox (with a separate sleeve for each toe) and thinking how completely insane this entire thing was.  Here we were, in the middle of Laurel Canyon, abandoned by our friends, tripping our brains out, being held hostage by a biker gang, and now ere were fucking. It was like something out of The Rocky Horror Show:  maniacs, a castle, and all!


Suddenly, first softly and then louder, we heard singing. At first we assumed it was coming from the boom box, but because we heard underbrush rustling and some muffled laughter, we realized it was the bikers, somewhere in the shadows on the hill, serenading us.  They were singing, a cappella, in perfect harmony,  “In the jungle, the mighty jungle, the lion sleeps tonight…” complete with the “Ow-wee-mo-weh, ow-wee-mo-weh” choruses.

Naturally, this took things to another dimension, with or without the acid.  We began laughing hysterically. I remember thinking that if we were gonna die, this was a hell of a way to go!  I’m not even sure if we came, we were so wasted.  We got our clothes together and ran through the trees and bushes down the hill, then hitched a ride down to Sunset Boulevard with an old man in a pick-up truck who was delivering papers.

The next day,  Mr. Monster came by to hand deliver his brand new British import 45, and when I called Brad and Kid to tell them what happened, they both confirmed that they’d waited over three hours  for us on the street and then went home.

A week later, reading the L.A. Times, there was a report in the Metro Section that two teenagers who’d been trespassing one night up near the Houdini mansion had been shot with a BB gun by “transients.”  No suspects had been taken into custody.

 *               *                *                   *        

 Purchase  Escape From Houdini Mountain here: http://www.princessfarhana.com/book_houdini.htm




Tuesday, August 20, 2013

DISGRACELAND

 Welcome to my new blog! The story you're about to read was originally published in my memoir collection, Escape From Houdini Mountain. My new book Showgirl Confidential: My Life Onstage, Backstage And On The Road will be released in Fall 2013 by Punk Hostage Press.

Disgraceland, 1980's photo by Bobby McClellan

DISGRACELAND

For over a decade, I lived in one of Hollywood’s most famous punk flophouses, Disgraceland.  It was one quarter of a buff-colored stucco ‘20s-era fourplex, residing in the shadow of Frederick’s of Hollywood, right around the corner from the Masque.  By the time I moved in with my pals Kid Congo and Marci Blaustein in 1978, the building- hell the entire neighborhood- had seen better days.

  I lived there until 1988, along with various roommates including Go-Go Belinda Carlisle, Ward Dotson of the Gun Club, writer Iris Berry (who was my longest-running roomie), and literally, a changing cast of thousands. Almost everyone involved in the punk scene partied there, touring bands crashed there (sometimes for months!) and for a period of time, Don Bowles, drummer of The Germs, lived in the driveway in a white van with the license plate Unit 666, with extension cords snaking their way across the driveway into electrical sockets in Iris’s room.

Our neighbors were gypsies who did auto body work in their driveway and a guy we called “The Hit Man” because he looked like one. A dapper older gent with silvery hair, he was always wearing a suit and carrying a briefcase, yet living in this horrifying, shabby dump.  We were sandwiched between an elementary school and the K-thru-8 Catholic school that belonged to Church of the Blessed Sacrament, located right around the corner from us.  Recess, for everyone who lived at Disgraceland, was hell.

My bail bondsman boyfriend, Billy Persons, dubbed it “Disgraceland” because we had a Tijuana plaster bust of Elvis -with Alice Cooper make-up that I added on with Majik Marker- on the mantelpiece, surrounded by empty fifths of booze.  Billy was the one who contributed the pink porch swing, obscured sometimes by the six foot tall corn growing incongruously in the front yard. “D.G. Land”, as we called it, was within stumbling distance of lots of major Hollywood nightspots—The Masque, Cathay De Grande, after-hours club The Zero (when it was on Cahuenga and later Wilcox), Club Lingerie, and about five dive bars that all opened at six a.m, including some that are no longer there, like The Firefly and The Sideshow.  My brother Chuckles called this Bermuda Triangle-like set-up The Circle Of Death.

Disgraceland was a total pigsty, and that’s being kind. When Belinda was seeing Suggs from the English ska band Madness, they were all so horrified/amazed by the mess they wanted to do a video there. The Split Enz, fresh from New Zealand, once walked into a bash called  The Forbidden Food Party, (ten chicks all fucked up, in the middle of piles of garbage, wearing negligees, tiaras, and false eyelashes, eating chocolate cakes, bon-bons, French fries, potato chips, lasagna, cannoli pastries, jellybeans, and burritos) and when we offered them blue and purple rum punch with lollipop stirrers, they loudly proclaimed,

 “We love Los Angeles!”

We had “Mr. T” -our ironic idol from The A Team- plastered on the living room wall in stick-on Stay Free Maxi-Pads that had been samples slipped into the neighborhood mail boxes. It was flanked by Xeroxed band flyers, a toilet seat, and Lost Pet posters stolen from the ‘hood.  You always had to step over passed out bodies, clothes, amps, guitars, drum set, total strangers fucking, dirty laundry, fast food wrappers, miniature school desks, a Christmas tree stolen from Club Lingerie that we didn’t throw out until the next April (it was adorned with empty Budweiser cans, Marlboro packs, and fishnet stockings), a craps table, piles of petticoats, and millions of empty beer bottles.

  Many people had their most memorable sexual experiences in the walk-in closet at the end of the hallway.

Our landlord was Jayne Mansfield’s ex-husband, body builder Mickey Hargitay, and the previous owner, mentalist Criswell of Criswell Predicts built a  Cold War-era bomb shelter underground in the front yard.  After the  cops would  come calling, ordering us to “keep it down”,  we'd climb down into the shelter and “get bombed.”  The building’s manager, Ross Christena,  always seemed to be on Valium, which was probably how we got away with hardly ever paying the rent.  For years, there was an outstanding balance, and somehow—guess it was the drugs—we’d never get evicted.   But the cops were there so often they knew Iris and me on a first-name basis!

I was once at a New Year’s bash at a soundstage on La Brea, and the Riot Squad was busting the party which was packed. There were about seventy-five people standing around drinking outside and I was one of them. When the Riot Squad started marching on the place—helmets on, batons lifted—one of them walked up to me, tilted up his visor, and said in an absolutely friendly, genuine way.

 “Hey, I know you!  I busted a party at your house last week!”

Yes, indeed, the parties went on for days blending into one another for the decade-long duration. One sunny mid-morning, artist and interior designer  Brad Dunning was jogging on the roof of YMCA , about two blocks away from Disgraceland.  He said he could hear the Velvet Underground blasting and knew it was coming from my house and that we’d more than likely been up all night.   
Pleasant and Kid Congo at Disgraceland, 1978: photo by Theresa Kereakes

 The late  Brendan Mullen of  The Masque and Club Lingerie used to offer the floor to touring bands as an alternative to renting to motel room -without our permission- but we never turned anyone away.  Bob Forrest of Thelonious Monster used to climb in thought the kitchen window all the time.  Even though it was a ground floor apartment, we usually kept the windows open ‘cause we were always so drunk, we’d lose our house keys.  Hollywood, believe it or not, was safe enough to do that  back then. In fact, when I moved out of there, I found nine garter belts and a few pairs of panties under my bed, all with house keys safety-pinned it them!

The phone never stopped ringing ever…unless, of course, it was shut off.  But Iris and I were such telephone abusers that when she got her own line, we actually used to lay in bed and call each other’s bedrooms collect, having half-hour-long  conversations even though we were literally fifteen feet down the hallway from each other.

People would show up for a specific party and then stay for weeks, others were always bringing strays over, like this one guy Clam Lunch, whom Iris found sleeping under a bulldozer on Melrose.  Clam cleaned the house two or three times  and probably bought a communal bottle of Jack Daniel’s, and to us that was good as paying six months’ rent.  Everybody would come over at four a.m. looking for someone; Disgraceland was like a human lost-and-found department. Can’t locate your friend? Try D.G. Land, the Bermuda Triangle of the Hollywood underground scene!

One early morning, in the wee hours past bar  closing time, Iris, our roomie Laura, and I trashed the entire living room—I mean, we seriously destroyed every stick of furniture we owned—by re-enacting G.L.O.W.  (Gorgeous Ladies Of Wrestling) bouts.  There were a ton of people there that night and the party got completely out of hand because we all took Ecstasy…back when it was still legal.  It was so raging that even The Hit Man couldn’t stand it—he called the cops on us.  The ones that showed up didn’t know us, but Iris saved the day by telling them that her boyfriend Rat’s Ass was joining the Marines the next morning, hence the party.  God only knows why they believed her, but they did.

Sometimes we’d wake up to complete strangers cooking breakfast for us, but more often the strangers were soundly asleep beside us.  In that case, there was the delicate task of finding out if you’d had sex with whomever it was  was in bed with you although some of my friends never even bothered to ask.

Matt Lee of the L.A. band The D.I.’s once said about Disgraceland,

 “Usually when I wake up, I have no idea where I am.  But when I wakeup at Disgraceland, I always know exactly where I am.  The question is:  How long have I been here?”

He wasn’t alone—members of T.S.O.L, The Red Hot Chili Peppers, Detox, Poison 13, R.E.M.  The Vandals, Tales Of Terror, The Rockats, The Cramps, The Gun Club, The Big Boys, The Blasters, The Joneses, X. Blood On the Saddle, The Gears, B.Y.O., The Mumps, Teenage Jesus, The Hickoids, Hard As Nails Cheap As Dirt, Mary’s Danish, Bulimia Banquet, The Mentors, Top Jimmy & The Rhythm Pigs, The Go-Go’s, The Dicks, Tex And The Horseheads, The Plugz, The Dickies, D.O.A.,  Red Scare, The Runaways, The Senders, Blondie, Fishbone, Guns’n’Roses, etc., etc.—shit, you name it—all felt the same way.

 MTV did a special on famous punk hangouts and featured Disgraceland; journalist Art Fein wrote about it in The L.A. Musical History Tour, it was featured in Rolling Stone; on The Tanqueray Gin Rock’n’Roll Map, it’s even—no lie—on the current version of Maps to the Stars’ Homes!   ("Do Not Disturb Current Occupants!) Disgraceland got more famous than anybody who ever lived there did! That movie The Boost with James Woods used the exterior as a crack house…It was perfect, all they had to do to dress it up was put a shredded up old mattress in the yard, that was the only change they made.  The location scout for that film must’ve gotten a raise!

After ten years, I (finally) moved out—actually, it was an eviction that, for once, worked.  The whole place was remodeled into an office building, and there were handicapped ramps installed. But  before that, we were always so wasted, someone that had lived there observed,

“Too bad the ramps weren’t there when we really needed them!”

Years later, I keep finding out that many people were terrified—and rightly so—to even go near there.  But there are others who claim, right to my face, that they used to party there, people I never saw before.  I’d be thinking,  “I wasn’t that fucked up!”, then I’d realize they were lying! It got to the point that I was skeptical of believing anyone I didn’t recognize immediately when they said they’d hung out there.

But one girl restored my faith. She was a lovely redhead who said she’d been there.  Of course, I didn’t believe her.
             
“What’d ya do there?”  I asked, expecting to catch her in a lie.

“I’m not sure,” she said,

“All I know is, there were a bunch of punk bands from Texas staying there, and I got really shit-faced and wound up fucking someone’s fat roadie on top of a pile of clothes in a closet!”

Obviously, she was telling the truth.




Flyer  made by Pleasant for the Disgraceland moving sale, 1988




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